Each of the development sections is repeated. I chose to ignore slight differences in the repeats. I changed my mind about the next section after I finished a trial tat version. It just didn’t represent the repeat section well at all. So, after letting it sit for a bit, I came up with this:
|Section A motif|
Now, a bit about the melody used in this section. It is similar to themes used in previous movements of the symphony. You may even recognize a bit of Dies Irae. This chant used in services after death fascinated Saint-Saens. Like many of his time and place, what came after death was intriguing. Sound familiar? And we wonder where entertainment gets their ideas???
Because the organ is used in these 2 sections for accent, I limited the use of green beads to the center of the motif. It is an organ concerto after all. And that’s what I always focus on when I listen to this. I am an organist through and through!
Why the pink beads on only 2 of the rings? Well, the strings have the theme for only half of the section. Their part sets up the next few sections nicely; more about the end of the movement later. I’ll be working my way through connecting all these separate parts. Again, I let the music structure drive the design. All I’ll say for now is I felt compelled to use a thinner thread and repetition of the same stitch count.