At this point of the movement, Saint-Saens gets down to
business. He gives the melody to the organ. Of course some of the orchestra is
playing also, but the theme is all organ. We hear the syncopation hinted at in
previous movements. There’s a strong sense of going somewhere harmonically as
well as rhythmically. And before you know it, we’ve moved on into the next
section. Whoosh!
B section motif without border |
I had fun stringing beads to use in the rings. I wanted them to look strong and uneven. The first few samples didn’t work for me until I correlated stitch count to rhythm. Again, the visual fell into place as soon as I let the structure of the music drive the design. That brought a smile to my face.
Tomorrow, I will be looking at the pretty melody coming
up in the next section.
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