Remember the turn? The little 3 note ornament that makes
up the fugue theme?
Remember the key? After the delicious melody in the major
key, we’re back to c minor.
Remember the rhythm? The 3 notes: da, da, dum?
Well, this all returns in the next section I named
Section F.
The sense of urgency returns in this section. It propels
us into a repeat of the melody from a previous section with a hint of brass
reminding us of the Intro. And you thought this was just a bridge section!
So, how to represent this in DS? Well, again, I ignored
the role of the brass. I didn’t work in any indication of the change of key
center. But, I did try to work in the use of 3 notes. I did try to work in the
dialogue Saint-Saens set up. The best way I could think of was to use the pearl
tatting in the chains. I did try to work in the Intro melody and the increase
in tension. I decided to use sets of split rings.
This motif actually took the
longest to complete. Maybe it was all those ends I had to hide……
Tomorrow, I look at a the final section in the
development.
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