Not what tattoo would a Greek ask for? Sometimes living with a sense of humor that includes puns is tough!
I was reminded of a contest sponsored by IOLI yesterday. “Lace a Moon” I see all possibilities for Geeks who Tat.
What would a Geek tat?
Not what tattoo would a Greek ask for? Sometimes living with a sense of humor that includes puns is tough!
I was reminded of a contest sponsored by IOLI yesterday. “Lace a Moon” I see all possibilities for Geeks who Tat.
What would a Geek tat?
I decided to tat this pattern by Mimi Dillman to practice my
Cluny technique. I remembered trying it out many years ago, but couldn’t find
my sample. I doubt it was given as a gift. You can see my technique is not up
to that standard! Nothing for it but to start a new one. I’m happy with the way
the center section came out. I still need practice, but adding the outer row is
helping to straighten things out.
I’ve already chosen the next pattern to tat again. I’m
having great fun going back into my stack of patterns I’ve tried and retatting
some of them. Yes, I’ve filed some away again without tatting them. Some of
them were just not my “style” and didn’t grab me the first time.
To be continued…..
This is a trial of my latest music based tatting design:
Fantasia center |
Remember this pattern from the book of Visual Patterns?
Well, I love a good German Fugue, a rippin’ French Tocatta,
or a glorious English Voluntary, but….
When I tatted Mary Konior’s pattern the first time, I heard
so many possibilities in my head, I sat down and played through several pieces
before deciding the pattern was a Fantasia.
And yes, I DO encourage you to watch the Disney classic!
Yes, I know that’s a vague question. Last post was about marking your pattern. Many of us make a mark for tatting every time we gift a piece of lace, tat in public, or teach someone to tat. For the record, I meant both meaning of the word mark.
To continue the train of thought begun in that last post,
what do I mark?
- Since I’m almost always making a copy, I make sure my
photocopy has the designer name, where I located the pattern, the date I’m
working the pattern.
- Translate a visual diagram to written notation OR written
notation to a rough sketch.
- Picot sizes if joins will be structural.
- Size of thread I’m testing out the pattern with including
my estimate of how much thread I’ll need.
- Where I plan to hide my ends.
- Sometimes I’ll even be marking whether I plan to use
shuttle or needle.
- As I tat the pattern, I’ll add ideas for beads, correct my
guesses for picot size, add color options, and of course: where I need more
skill practice.
It doesn’t bother me when patterns are just suggestions and
not detailed. I do like to have a detailed diagram if there is no clear
photograph. I also like to have more detail when the technique is intermediate
or advanced. It does bother me when the pattern has obviously been edited by
someone who can’t tat. Remind me to tell you sometime about the organ piece
with pedal markings that were just plain wrong: the editor had placed all the
marks below the staff, even the marks for using your right foot. Yeah. I’ve
been known to cross my feet when pedaling certain passages, but I do use my
right foot, thank you!
Next post I promise to present a picture of my newest design: Fantasia. When I think about what I want to do while tatting, I’m always thinking of ways to help people appreciate and even learn about lace (specifically tatting with shuttle AND needle). I invite all tatters out there to make your mark!
I tell my students that frequently. Of course, they usually interpret it just a bit different than I do. I spend a lot of time encouraging the judicious use of pen (never pen) and post-it notes (seldom highlighter) so that their brain can focus on tasks that cannot be “marked” as they create.
Setting my organ hat aside, I have suggestions for those who
look to me when I have my tatting hat on.
Understand and accept there is no standard notation. Just as
there are many ways to write out how a team should line up for the start of
play, there are many ways to write out how to execute a tatting pattern. I do
recommend being familiar with the notation documented and made available to us
by these wonderful organizations:
- Palmetto Tatting Guild: https://www.palmettotatters.org/patterns/StandardTattingNotationforPTGTatDays.pdf
- Shuttlebirds Tatting Guild: https://www.shuttlebirds.com/tatting_abbreviations1.shtml
I also recommend that you be kind to yourself. The more you
note by marking a pattern, the more brain power you have available to create
beautiful lace. You have a powerful brain. If you feel a bit overloaded and
overwhelmed, chances are you need to use a tool (like a pencil or post-it) to
help out your brain. By using thread grown, spun, dyed, and marketed by others,
you’re already using tools. Using a pencil can seem like it slows you down, but
your lace will be more exquisite if you make your mark.
Yesterday and today will therefore be rest days. I spent some time, when I wasn’t sleeping, reading an article on marking your scores by a respected organist. I agreed with the opinions expressed in the article. (Not unusual as I tend to consider all opinions as just that: opinion. I tell my students why I agree and then give them permission to explore, test, and decide.) The bottom line for this organist is that if you mark your score well, your repeat performance will be more accurate, less stressful and more musical.
What has that to do with tatting? Well, I still prefer
working from a copy of a pattern printed on paper. That’s because I always,
always mark the piece of paper with my notes on thread size, shuttle or needle, finished size, amount of thread used, where I found the pattern difficult to reproduce consistently, any other tidbit
that I think I may want to know in 2-3 years when I decide to tat the piece
again.... you get the idea!
Mark your score. Mark your pattern.
Your tatting will be more consistent, more enjoyable and
prettier.
Next week: how I mark my patterns.
With the coming of Easter, and securing a vaccine appointment, I have been able to return to the design folder. I began this pattern idea in 2020. The center fell into place nicely. The middle section is sketched out. The outer round needs a bit of tweaking. Now to tat a sample with all 3 ideas connected into one piece of lace.
I think I’m closer to performing the piece than completing
the design!