I’m continuing to work out the design for Piece d’Orgue BWV 572 . I’ve completed a good portion of the pattern. The next part has puzzled me quite a bit. The music is full 5 voice chord progressions wandering around several different key centers. I think the ticket is to use TDS developed by Ninetta Caruso. I like that it looks so similar both from the front and from the back.
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| TDS from the back |
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| TDS from the front |
While I don't understand music, I do understand why you chose the TDS! Nice application and interpretation.
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