Is that a bad thing? Should tatting be soft and fluid like crochet or should it be crisp and stable like hardanger? These questions can start disagreements. I’ve no wish to cause anxiety or anger. If I am honest, I think there are times when you need to tat tight and times when you need to tat loose. Lace can be many things.
Perhaps that’s
because I come at this having similar thoughts about organ music. There are
times when I choose to play a piece fast with loud stops, other times slower
with quieter stops. It depends on what I want the music to convey. I feel quite
privileged that I live in a time when that diverse performance is accepted. I
remember being a very young organist and listening to older weary organists
expressing displeasure that their music wasn’t “right” and the pressure they
felt to be perfect. I walked a fine line between respecting established working
musicians and rebelling against the norm, doing it my way. That attitude has carried
over to my tatting.
Frequently, I study
a pattern to figure out how tight to tat. I may even Run-a-Line to see what
works. Before I lose people, here’s what I was taught for Run-a-Line:
So, after I
Run-a-Line, I have a better idea of how I wish to tat a pattern. All this takes
time and energy. Sometimes I just want to tat. Sometimes, I have that perfect
idea in mind. I do it my way!