I like this!

 

Soprano by Lilliatatlace

I completed Soprano by Lillian Yeung. It is tatted in one round with SCMR forming the large rings. I used size 40 thread and enjoyed the journey! Thank you!!

Because I was using a smaller thread, I finally understood what another tatter was saying about the Mock Ring Tool I helped develop. The picture shows both tab designs with the extra bit on the green tab. The tabs on the original design didn’t capture the thread well enough and the tool would fall out of the loop. Once I changed out to a newer tool, all was well. The tool didn’t fall out of my loop. Now, I choose to remove the tool after I tat a good portion of the ring. I need to be very careful how much I ask of my hands so that I can play organ and tat and hold my tea mug! Anyway, I'm grateful improvements can be made as we all learn together. 

Announcing a launch

 For those who have enjoyed tatting with a Tatting Toolbox, a new model is available: the Riego. This version gives us a section to tuck in lace in progress or a small ball. Brilliant!!

Riego Tatting Toolbox

It is also my pleasure to announce the launch of another tatting tool:

The ShuttleShip

ShuttleShip

These will be available through Stephanie Cervi Design. For those who love shopping Etsy, you can find some there. In the future, there will be more color options and a Holiday special version. You are welcome to request special orders, but those will take more time. For a limited time, readers of this blog can use the code PICOTSNKEYS to receive a 15% discount at check out.

 About a month ago, one of my all-time favorite tatting experts posted the snowflake design she taught at Palmetto Tat Days. I immediately felt the pang of missing a wonderful gathering of tatting friends. That was subsequently followed by a dash to pick up shuttle and thread. Here’s my version:

This Way and That by
Jane Eborall

Jane, you’ve done it again!! Exquisitely guided us through creating lace!!! Thank you!

This small bit has a design idea that I’ve been unsuccessfully kicking around for years. (My apologies to Jane who doesn’t share my language of music) I have been trying to figure out a way to depict chordal passages in music. Block tatting is of course the most logical. But the details escaped me. This pattern of 3 chains at the edge is much better than my feeble attempts.

Now, I’ll be the first to say my tatting for this snowflake is subpar. I wouldn’t recommend making the rings in a third color. Stick with 2 colors. To muddle my way through a tricolor version, I ended up using a 2 bobbinshuttle along with a single shuttle. To change colors gracefully, I ended up swapping the bobbins around at just about every element. Not worth it! I’m really not happy with this snowflake. It will go in my bin of bits and pieces with a tag attached reminding me not to use 3 colors.

I will be incorporating this design idea to represent chords though. I will gladly acknowledge Jane’s inspiring pattern!!!

What size is this?

 Yes, thread size matters. Not as much in tatting for the mechanics. I do use a slightly different movement of my hands with larger threads. But, it’s a very slight difference. As a designer, if the pattern I’m cooking up doesn’t work as well in size 10 as it does in size 80, it needs tweaking. Thread size still matters in tatting when it comes to how the lace can be used. Below is a photo of the treble clef pattern by Beverly Hevener that won FirstPlace, Original Design in the IOLI Convention 2024 Lace Contest.

The article published in Piecework indicated size 20 thread. So, I worked it up in size 20 using a cheerful variegated. The EGA chapter I stitch with is working the Victorian Ticking project from the Fall 2021 Piecework issue. I decided the back of my little bag should be embellished with a treble clef. So, I found some size 80 thread and tatted up the lavender version. It will fit nicely! Now to choose the rest of the thread and the stitches to go on the stripes.

This is fun!!

The First Place prize for the IOLI 2024 Convention Lace Contest Original Design was awarded to Barbara Hevener for her Opera Bag. The  picture above is of the cover of the Fall 2024 Bulletin. This issue highlights all the Prizewinning Lace. Mrs. Hevener’s design includes this fabulous tatted goodie.

I really like the way she uses different sized split rings. Her pattern is clearly written out, not too complicated, and one of those that starts out a long line of rings and ends up a nicely shaped object. Just plain fun!! Thank you IOLI and Barbara Hevener for inspiring and sharing with us all!

Going Loopy again

 
Here’s my next set of earrings. The pattern is by Marilee Rockley aka Yarnplayer. She sells her wonderful HDT (Hand Dyed Thread) along with her patterns here. I’ve tatted quite a few and thoroughly enjoy them. Anyway, I lost one of a previous pair, so I tatted up a new set. Complete with lots of beads.

I bodged it

 I found this book in a vintage shop. I couldn’t resist buying it. I don’t sew clothes that often anymore. I did when I was younger (Nothing in the stores fit and was too expensive) and I remember how many times I would make a mistake and have to figure out how to make it a “feature” of my outfit.

***** I have since found out that a bodger is someone who makes chairs like the old-style Windsor chairs. Just one of many meanings of the word. *****

Which brings me to my latest tatting adventure…….. 

Loopy by Marilee Rockley 

I lost one earring from a favorite set. It is the lovely pattern from Yarnplayer. I no longer have the thread I used for the first set. I guess I liked the colors! So, I began a new set with different thread and decided to add beads. Lots of beads. It took me awhile to remember where I had put my copy of the pattern with notes from that first set. Once I found those notes, it took me awhile to remember just how I tatted the pattern. I chose the thread and beads, planned out how to place the beads, and started in. I hope to have a decent pair when I finish with the fourth earring. I hope……..